What I’ve included isn’t necessarily the only way to do things, and there will likely be things I don’t know or have gotten wrong, there have been sections already re-written after checking if what I remembered was correct so if you as a reader believe I have anything wrong, please let me know. This article is a written account of my hands-on experiences with FCPX over the course of two weeks, and details what I have found whilst experimenting and using the program. ‘UK TV assistant editor tries Final Cut Pro X’ #fcpxĮditor and technology pundit Alex Golner recently shared this post commenting on assistant editor Chris Chapman’s extremely detailed post of his experience of working in FCPX, for a couple of weeks on a personal project. ![]() It’ll find its spot.įor more wisdom from Sven, check out my interview with him here, or this post on Tips for Switching NLE, for help on making the leap into FCPX for the first time. You don’t have to decide on what track the audio will live for the video. Think of Tom Cruise as the magnetic timeline. If you’ve seen the movie “Minority Report”, you might remember the scene where Tom Cruise is moving all these images around. It’s the hardest thing to learn on FCPX and it’s the biggest thing. It’s scary when you look at it and you don’t understand it at first. The number one thing for me is the magnetic timeline. If you’re considering giving FCPX a try, there’s never been a better time to do so!
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |